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Glass: Einstein on the Beach (Théâtre du Châtelet)

Glass: Einstein on the Beach (Théâtre du Châtelet)

Michael Riesman (Conductor); Robert Wilson (Director); Lucinda Childs (Choreography);

"At the Théâtre du Châtelet, the opera first performed in 1976 by Bob Wilson and Philip Glass causes the same emotion as when it was first created. A true work of art of about four and a half hours where the visual is inseparable from the musical score. There are several ways to approach the revival thirty-seven years later: One can be nostalgic about what was progressive in one's youth and since became a classic; with the jaded look of the 2014 listener who heard dozens of works by Glass and Wilson since and seen so many shows and whom nothing can surprise. Or one can disregard all memory layers and open one's eyes filled with wonder as if it were the first time: Which is what happened! ... And most striking is that, compared to many pioneers of the past who now seem quite insipid as times went on, their creation has kept its surprises" (Le Figaro)

Glass: Einstein on the Beach (Théâtre du Châtelet)

Glass: Einstein on the Beach (Théâtre du Châtelet)

Michael Riesman (Conductor); Robert Wilson (Director); Lucinda Childs (Choreography);

"At the Théâtre du Châtelet, the opera first performed in 1976 by Bob Wilson and Philip Glass causes the same emotion as when it was first created. A true work of art of about four and a half hours where the visual is inseparable from the musical score. There are several ways to approach the revival thirty-seven years later: One can be nostalgic about what was progressive in one's youth and since became a classic; with the jaded look of the 2014 listener who heard dozens of works by Glass and Wilson since and seen so many shows and whom nothing can surprise. Or one can disregard all memory layers and open one's eyes filled with wonder as if it were the first time: Which is what happened! ... And most striking is that, compared to many pioneers of the past who now seem quite insipid as times went on, their creation has kept its surprises." (Le Figaro)