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BALLET, THEATRE AND MUSIC
Berlioz: Les Troyens
Anna Caterina Antonacci (Cassandra); Eva-Maria Westbroek (Dido); Bryan Hymel (Aeneas); Fabio Capitanucci (Coroebus); Robert Lloyd (Priam); Brindley Sherratt (Narbal); Ashley Holland (Panthus); Daniel Grice (Soldier)
Les Troyens is opera at its most epic. The sheer scale of its story, music, passion, staging and performers make this one of the great Royal Opera events of the decade. Berlioz’s great work is one of the most fabulously rich of all operas, a tour de force of passion in music, with extraordinarily demanding roles for the principal cast.
The story is taken from Virgil’s great poem The Aeneid, and dramatizes the fall of Troy and Enée’s (Aeneas’) doomed affair with Didon (Dido), Queen of Carthage. It brings alive a wealth of human emotions set against the monumental canvas of the rise and fall of empires. This new production by celebrated director David McVicar (whose work for The Royal Opera includes Rigoletto, Adriana Lecouvreur and Salome) is on an impressive scale. The extraordinary world-class cast includes Bryan Hymel as the heroic Enée, Eva-Marie Westbroek (Giorgetta in Il tabarro, the title role in Anna Nicole) as his beloved Didon and Anna Caterina Antonacci (who created the role of Carmen in Francesca Zambello’s production for The Royal Opera in 2006) as the doomed prophetess Cassandre, under the baton of Antonio Pappano. Designs are by Es Devlin (designer for the closing ceremony of the 2012 Olympics) and Moritz Junge.
DVD
Genre: Opera
Release Date: 01/10/2013
Sound Formats: Dolby Digital 2.0 & DTS Digital Surround 5.1
Ratio: 16:9 Anamorphic
Subtitles: EN, FR, DE, ES, JP, KR
Catalogue Number: OA1097D
BLU-RAY
Genre: Opera
Release Date: 01/10/2013
Sound Formats:
Ratio: 16:9
Subtitles: EN, FR, DE, ES, JP, KR
Catalogue Number: OABD7113D
Conductor(s):
Antonio Pappano
Antonio Pappano
Orchestra(s):
Orchestra & Chorus of the Royal Opera House
Orchestra & Chorus of the Royal Opera House
Artist(s):
Anna Caterina Antonacci; Eva-Maria Westbroek; Bryan Hymel; Fabio Capitanucci; Robert Lloyd; Brindley Sherratt; Ashley Holland; Daniel Grice; Orchestra & Chorus of the Royal Opera House; Antonio Pappano
Anna Caterina Antonacci; Eva-Maria Westbroek; Bryan Hymel; Fabio Capitanucci; Robert Lloyd; Brindley Sherratt; Ashley Holland; Daniel Grice; Orchestra & Chorus of the Royal Opera House; Antonio Pappano
"David McVicar's stupendous production at the Royal Opera House would be worth seeing for Es Devlin's mighty sets and Constructivist Trojan horse alone. But Antonio Pappano's orchestra plays the ravishing score with such élan, and the singing and acting are so fine, especially Cassandra (Anna Caterina Antonacci), Dido (Eva-Maria Westbroek) and Aeneas (Bryan Hymel), that you can forgive the long, angular ballets that are like misbegotten descendants of Isadora Duncan and the Ballets Russes." (The Wall Street Journal)
"Pappano drew a big-gestured, brightly colored and rhapsodic performance from the Royal Opera’s impressive orchestra and chorus. The Italian soprano Anna Caterina Antonacci triumphed as Cassandra (Cassandre).Her singing was lush, fervent, finely spun and noble. A lovely woman, she is a riveting actress, who achingly conveyed that Cassandra feels cursed by her prophetic powers. The Dutch soprano Eva-Maria Westbroek was a splendid Dido (Didon)." (The New York Times)
"Musically the show is top-notch, with the chorus on coruscating form, Antonio Pappano bringing out the instrumental colour with exemplary clarity, and a line-up of soloists led by three outstanding voices. Anna Caterina Antonacci incarnates prophet-of-doom Cassandra with a clear-eyed and commanding urgency. Eva-Maria Westbroek’s full-toned Dido is ideally complemented by Bryan Hymel’s Aeneas in their exalted duet ‘Par une telle nuit’. And when Hymel lets rip in his long wrestle with his conscience before deserting her, the ringing purity of his tone melts the heart. Other delights include Ed Lyon’s exquisitely-sung Phrygian sailor, plus a succession of brilliant coups de theatre thanks to the synergy between McVicar’s pageantry and Wolfgang Goebbel’s lighting, which at times creates effects worthy of Gericault. A fabulous evening." (The Independent)
"Sir Antonio Pappano has the measure of this huge score, giving it with exhilaration and breathing space." (www.classicalsource.com)
"Sometimes it all works together extremely well, giving a result as moving as any artistic event can be. That was the case at Covent Garden in 2012 when Pappano and McVicar triumphed in Berlioz's greatest masterpiece Les Troyens. Apart from Der Ring des Nibelungen at Bayreuth during the 1980s and 1990s I have heard nothing more impressive in the opera house. These superbly recorded discs brought it all back with the added benefit of judiciously chosen close-ups and easily read surtitles plus Pappano's valuable insight lecture and act-by-act spoken introductions.
Everyone in the cast list above is superb but especial mention must be made of Aeneas, Bryan Hymel; Dido, Eva-Maria Westbroek; Cassandra, Anna Caterina Antonacci and Anna , Hanna Hipp; simply because the scale of their roles is so large. Top class. - Recording of the Month -" (Musicweb International)
"Pappano drew a big-gestured, brightly colored and rhapsodic performance from the Royal Opera’s impressive orchestra and chorus. The Italian soprano Anna Caterina Antonacci triumphed as Cassandra (Cassandre).Her singing was lush, fervent, finely spun and noble. A lovely woman, she is a riveting actress, who achingly conveyed that Cassandra feels cursed by her prophetic powers. The Dutch soprano Eva-Maria Westbroek was a splendid Dido (Didon)." (The New York Times)
"Musically the show is top-notch, with the chorus on coruscating form, Antonio Pappano bringing out the instrumental colour with exemplary clarity, and a line-up of soloists led by three outstanding voices. Anna Caterina Antonacci incarnates prophet-of-doom Cassandra with a clear-eyed and commanding urgency. Eva-Maria Westbroek’s full-toned Dido is ideally complemented by Bryan Hymel’s Aeneas in their exalted duet ‘Par une telle nuit’. And when Hymel lets rip in his long wrestle with his conscience before deserting her, the ringing purity of his tone melts the heart. Other delights include Ed Lyon’s exquisitely-sung Phrygian sailor, plus a succession of brilliant coups de theatre thanks to the synergy between McVicar’s pageantry and Wolfgang Goebbel’s lighting, which at times creates effects worthy of Gericault. A fabulous evening." (The Independent)
"Sir Antonio Pappano has the measure of this huge score, giving it with exhilaration and breathing space." (www.classicalsource.com)
"Sometimes it all works together extremely well, giving a result as moving as any artistic event can be. That was the case at Covent Garden in 2012 when Pappano and McVicar triumphed in Berlioz's greatest masterpiece Les Troyens. Apart from Der Ring des Nibelungen at Bayreuth during the 1980s and 1990s I have heard nothing more impressive in the opera house. These superbly recorded discs brought it all back with the added benefit of judiciously chosen close-ups and easily read surtitles plus Pappano's valuable insight lecture and act-by-act spoken introductions.
Everyone in the cast list above is superb but especial mention must be made of Aeneas, Bryan Hymel; Dido, Eva-Maria Westbroek; Cassandra, Anna Caterina Antonacci and Anna , Hanna Hipp; simply because the scale of their roles is so large. Top class. - Recording of the Month -" (Musicweb International)
Anna Caterina Antonacci (Cassandra); Eva-Maria Westbroek (Dido); Bryan Hymel (Aeneas); Fabio Capitanucci (Coroebus); Robert Lloyd (Priam); Brindley Sherratt (Narbal); Ashley Holland (Panthus); Daniel Grice (Soldier)
Les Troyens is opera at its most epic. The sheer scale of its story, music, passion, staging and performers make this one of the great Royal Opera events of the decade. Berlioz’s great work is one of the most fabulously rich of all operas, a tour de force of passion in music, with extraordinarily demanding roles for the principal cast.
The story is taken from Virgil’s great poem The Aeneid, and dramatizes the fall of Troy and Enée’s (Aeneas’) doomed affair with Didon (Dido), Queen of Carthage. It brings alive a wealth of human emotions set against the monumental canvas of the rise and fall of empires. This new production by celebrated director David McVicar (whose work for The Royal Opera includes Rigoletto, Adriana Lecouvreur and Salome) is on an impressive scale. The extraordinary world-class cast includes Bryan Hymel as the heroic Enée, Eva-Marie Westbroek (Giorgetta in Il tabarro, the title role in Anna Nicole) as his beloved Didon and Anna Caterina Antonacci (who created the role of Carmen in Francesca Zambello’s production for The Royal Opera in 2006) as the doomed prophetess Cassandre, under the baton of Antonio Pappano. Designs are by Es Devlin (designer for the closing ceremony of the 2012 Olympics) and Moritz Junge.
DVD
Genre: Opera
Release Date: 01/10/2013
Sound Formats: Dolby Digital 2.0 & DTS Digital Surround 5.1
Ratio: 16:9 Anamorphic
Subtitles: EN, FR, DE, ES, JP, KR
Catalogue Number: OA1097D
BLU-RAY
Genre: Opera
Release Date: 01/10/2013
Sound Formats:
Ratio: 16:9
Subtitles: EN, FR, DE, ES, JP, KR
Catalogue Number: OABD7113D
Conductor(s):
Antonio Pappano
Antonio Pappano
Orchestra(s):
Orchestra & Chorus of the Royal Opera House
Orchestra & Chorus of the Royal Opera House
Artist(s):
Anna Caterina Antonacci; Eva-Maria Westbroek; Bryan Hymel; Fabio Capitanucci; Robert Lloyd; Brindley Sherratt; Ashley Holland; Daniel Grice; Orchestra & Chorus of the Royal Opera House; Antonio Pappano
Anna Caterina Antonacci; Eva-Maria Westbroek; Bryan Hymel; Fabio Capitanucci; Robert Lloyd; Brindley Sherratt; Ashley Holland; Daniel Grice; Orchestra & Chorus of the Royal Opera House; Antonio Pappano
"David McVicar's stupendous production at the Royal Opera House would be worth seeing for Es Devlin's mighty sets and Constructivist Trojan horse alone. But Antonio Pappano's orchestra plays the ravishing score with such élan, and the singing and acting are so fine, especially Cassandra (Anna Caterina Antonacci), Dido (Eva-Maria Westbroek) and Aeneas (Bryan Hymel), that you can forgive the long, angular ballets that are like misbegotten descendants of Isadora Duncan and the Ballets Russes." (The Wall Street Journal)
"Pappano drew a big-gestured, brightly colored and rhapsodic performance from the Royal Opera’s impressive orchestra and chorus. The Italian soprano Anna Caterina Antonacci triumphed as Cassandra (Cassandre).Her singing was lush, fervent, finely spun and noble. A lovely woman, she is a riveting actress, who achingly conveyed that Cassandra feels cursed by her prophetic powers. The Dutch soprano Eva-Maria Westbroek was a splendid Dido (Didon)." (The New York Times)
"Musically the show is top-notch, with the chorus on coruscating form, Antonio Pappano bringing out the instrumental colour with exemplary clarity, and a line-up of soloists led by three outstanding voices. Anna Caterina Antonacci incarnates prophet-of-doom Cassandra with a clear-eyed and commanding urgency. Eva-Maria Westbroek’s full-toned Dido is ideally complemented by Bryan Hymel’s Aeneas in their exalted duet ‘Par une telle nuit’. And when Hymel lets rip in his long wrestle with his conscience before deserting her, the ringing purity of his tone melts the heart. Other delights include Ed Lyon’s exquisitely-sung Phrygian sailor, plus a succession of brilliant coups de theatre thanks to the synergy between McVicar’s pageantry and Wolfgang Goebbel’s lighting, which at times creates effects worthy of Gericault. A fabulous evening." (The Independent)
"Sir Antonio Pappano has the measure of this huge score, giving it with exhilaration and breathing space." (www.classicalsource.com)
"Sometimes it all works together extremely well, giving a result as moving as any artistic event can be. That was the case at Covent Garden in 2012 when Pappano and McVicar triumphed in Berlioz's greatest masterpiece Les Troyens. Apart from Der Ring des Nibelungen at Bayreuth during the 1980s and 1990s I have heard nothing more impressive in the opera house. These superbly recorded discs brought it all back with the added benefit of judiciously chosen close-ups and easily read surtitles plus Pappano's valuable insight lecture and act-by-act spoken introductions.
Everyone in the cast list above is superb but especial mention must be made of Aeneas, Bryan Hymel; Dido, Eva-Maria Westbroek; Cassandra, Anna Caterina Antonacci and Anna , Hanna Hipp; simply because the scale of their roles is so large. Top class. - Recording of the Month -" (Musicweb International)
"Pappano drew a big-gestured, brightly colored and rhapsodic performance from the Royal Opera’s impressive orchestra and chorus. The Italian soprano Anna Caterina Antonacci triumphed as Cassandra (Cassandre).Her singing was lush, fervent, finely spun and noble. A lovely woman, she is a riveting actress, who achingly conveyed that Cassandra feels cursed by her prophetic powers. The Dutch soprano Eva-Maria Westbroek was a splendid Dido (Didon)." (The New York Times)
"Musically the show is top-notch, with the chorus on coruscating form, Antonio Pappano bringing out the instrumental colour with exemplary clarity, and a line-up of soloists led by three outstanding voices. Anna Caterina Antonacci incarnates prophet-of-doom Cassandra with a clear-eyed and commanding urgency. Eva-Maria Westbroek’s full-toned Dido is ideally complemented by Bryan Hymel’s Aeneas in their exalted duet ‘Par une telle nuit’. And when Hymel lets rip in his long wrestle with his conscience before deserting her, the ringing purity of his tone melts the heart. Other delights include Ed Lyon’s exquisitely-sung Phrygian sailor, plus a succession of brilliant coups de theatre thanks to the synergy between McVicar’s pageantry and Wolfgang Goebbel’s lighting, which at times creates effects worthy of Gericault. A fabulous evening." (The Independent)
"Sir Antonio Pappano has the measure of this huge score, giving it with exhilaration and breathing space." (www.classicalsource.com)
"Sometimes it all works together extremely well, giving a result as moving as any artistic event can be. That was the case at Covent Garden in 2012 when Pappano and McVicar triumphed in Berlioz's greatest masterpiece Les Troyens. Apart from Der Ring des Nibelungen at Bayreuth during the 1980s and 1990s I have heard nothing more impressive in the opera house. These superbly recorded discs brought it all back with the added benefit of judiciously chosen close-ups and easily read surtitles plus Pappano's valuable insight lecture and act-by-act spoken introductions.
Everyone in the cast list above is superb but especial mention must be made of Aeneas, Bryan Hymel; Dido, Eva-Maria Westbroek; Cassandra, Anna Caterina Antonacci and Anna , Hanna Hipp; simply because the scale of their roles is so large. Top class. - Recording of the Month -" (Musicweb International)
