Véronique Gens (Iphigénie (Iphigénie en Aulide)); Mireille Delunsch (Iphigénie (Iphigénie en Tauride)); Salomé Haller (Diane); Nicolas Testé (Agamemnon); Anne Sofie von Otter (Clytemnestre); Laurent Alvaro (Thoas); Jean-Francois Lapointe (Oreste); Yann Beuron (Pylade)
Two late and baleful tragedies by Euripides focus on the ill-starred daughter of the Greek King, Agamemnon. Will he sacrifice Iphigenia in order to secure fair winds for his voyage to Troy? In Aulis, the drama rages until she is spared. Having escaped to Tauris, Iphigenia finds herself compelled to kill her own brother before, once more, the fickle gods intervene. Gluck's operatic settings are very rarely staged in tandem, but Pierre Audi's production makes a darkly compelling case for their dramatic unity. All the lead performers here are experienced exponents of Gluck, and together they present a powerfully idiomatic experience.
Véronique Gens (Iphigénie (Iphigénie en Aulide)); Mireille Delunsch (Iphigénie (Iphigénie en Tauride)); Salomé Haller (Diane); Nicolas Testé (Agamemnon); Anne Sofie von Otter (Clytemnestre); Laurent Alvaro (Thoas); Jean-Francois Lapointe (Oreste); Yann Beuron (Pylade)
Two late and baleful tragedies by Euripides focus on the ill-starred daughter of the Greek King, Agamemnon. Will he sacrifice Iphigenia in order to secure fair winds for his voyage to Troy? In Aulis, the drama rages until she is spared. Having escaped to Tauris, Iphigenia finds herself compelled to kill her own brother before, once more, the fickle gods intervene. Gluck's operatic settings are very rarely staged in tandem, but Pierre Audi's production makes a darkly compelling case for their dramatic unity. All the lead performers here are experienced exponents of Gluck, and together they present a powerfully idiomatic experience.