Georg Nigl (Orfeo (Orfeo)); Roberta Invernizzi (Euridice (Orfeo)); Sara Mingardo (Messaggera/Speranza (Orfeo)); Miah Persson (Poppea (Poppea)); Sarah Connolly (Nerone (Poppea)); Jordi Domènech (Ottone (Poppea)); Franz-Josef Selig (Seneca (Poppea))
Monteverdi’s seminal first opera L’Orfeo, tells the dramatic story from Ovid’s Metamorphoses of the descent of Orfeo
(Georg Nigl) into the underworld to recover his beloved wife Euridice (Roberta Invernizzi), seen here in a production
for La Scala, based on a painting by Titian and directed by Robert Wilson. David Alden’s visually sumptuous production of L’incoronazione di Poppea, with its suggestions of a giant game of chess, puts the opera’s potent blend of sex and politics in a context that sets ancient against modern – just as the action juxtaposes scurrilous comedy and stark drama. Both are filmed in High Definition and recorded in true surround sound.
Georg Nigl (Orfeo (Orfeo)); Roberta Invernizzi (Euridice (Orfeo)); Sara Mingardo (Messaggera/Speranza (Orfeo)); Miah Persson (Poppea (Poppea)); Sarah Connolly (Nerone (Poppea)); Jordi Domènech (Ottone (Poppea)); Franz-Josef Selig (Seneca (Poppea))
Monteverdi’s seminal first opera L’Orfeo, tells the dramatic story from Ovid’s Metamorphoses of the descent of Orfeo
(Georg Nigl) into the underworld to recover his beloved wife Euridice (Roberta Invernizzi), seen here in a production
for La Scala, based on a painting by Titian and directed by Robert Wilson. David Alden’s visually sumptuous production of L’incoronazione di Poppea, with its suggestions of a giant game of chess, puts the opera’s potent blend of sex and politics in a context that sets ancient against modern – just as the action juxtaposes scurrilous comedy and stark drama. Both are filmed in High Definition and recorded in true surround sound.