Joshua Guerrero (Pinkerton); Olga Busuioc (Cio-Cio-San); Michael Sumuel (Sharpless); Jake Muffett (Official Registrar); Michael Mofidian (Imperial Commissioner); Elizabeth DeShong (Suzuki); Carlo Bosi (Goro); Eirlys Myfanwy Davies (Cio-Cio-San’s Mother); Adam Marsden (Yakuside, Cio-Cio-San’s Uncle); Jennifer Witton (The Cousin); Shuna Scott Sendall (The Aunt); Oleg Budaratskiy (Bonze)
Olga Busuioc's Cio-Cio-San - 'a performance of sustained dramatic intensity and vocal brilliance' (The Arts Desk) - propels this Festival-premiere production of Madama Butterfly.
Annilese Miskommon's thought-provoking reading, lauded for its 'perception and clarity', updates the opera's setting to the 1950s, confronting the darker political and emotional currents of a work that acknowledges some barriers are too great for even love.
Guerroro endows Pinkerton with 'soaring, wilful, preening grace' and Puccini's score is 'sensuously and expertly played... under the eagerly responsive baton of Omer Meir Wellber' (The Guardian). DeShong gives Suzuki 'sanity and compassion, with a voice of superb authority' and the chorus is 'luminous in its humming serenade' (Telegraph ★★★★).
Recorded in true Surround Sound.
Joshua Guerrero (Pinkerton); Olga Busuioc (Cio-Cio-San); Michael Sumuel (Sharpless); Jake Muffett (Official Registrar); Michael Mofidian (Imperial Commissioner); Elizabeth DeShong (Suzuki); Carlo Bosi (Goro); Eirlys Myfanwy Davies (Cio-Cio-San’s Mother); Adam Marsden (Yakuside, Cio-Cio-San’s Uncle); Jennifer Witton (The Cousin); Shuna Scott Sendall (The Aunt); Oleg Budaratskiy (Bonze)
Olga Busuioc's Cio-Cio-San - 'a performance of sustained dramatic intensity and vocal brilliance' (The Arts Desk) - propels this Festival-premiere production of Madama Butterfly.
Annilese Miskommon's thought-provoking reading, lauded for its 'perception and clarity', updates the opera's setting to the 1950s, confronting the darker political and emotional currents of a work that acknowledges some barriers are too great for even love.
Guerroro endows Pinkerton with 'soaring, wilful, preening grace' and Puccini's score is 'sensuously and expertly played... under the eagerly responsive baton of Omer Meir Wellber' (The Guardian). DeShong gives Suzuki 'sanity and compassion, with a voice of superb authority' and the chorus is 'luminous in its humming serenade' (Telegraph ★★★★).
Recorded in true Surround Sound.