Sally Matthews (Countess Almaviva (Figaro)); Vito Priante (Figaro (Figaro)); Audun Iversen (Count Almaviva (Figaro)); Lydia Teuscher (Susanna (Figaro)); Miah Persson (Fiordiligi (Cosi)); Anke Vondung (Dorabella (Cosi)); Topi Lehtipuu (Ferrando (Cosi)); Luca Pisaroni (Guglielmo (Cosi)); Sally Matthews (Konstanze (Entführung)); Edgaras Montvidas (Belmonte (Entführung)); Tobias Kehrer (Osmin (Entführung)); Mari Eriksmoen (Blonde (Entführung))

These three facets in the prism of Mozart’s operatic genius shine in Glyndebourne’s typically thought-provoking productions, featuring skilled singer–actors buoyed by the Orchestra of the Age of Enlightenment’s luminous period sound. Nicholas Hytner’s beautiful, ‘shockingly traditional’ production of Così fan tutte frames artful performances teased by Iván Fischer from an outstanding international cast of convincing young lovers. Michael Grandage’s staging of Le nozze di Figaro is Glyndebourne’s seventh in a line stretching back to the company’s 1934 début production. Marshalled by the ‘ideal pacing’ of Robin Ticciati, a youthful cast of principals has ‘no weak link’ and ‘looks gorgeous’ (The Sunday Times). David McVicar’s Die Entführung aus dem Serail offers a ‘mesmerising, sensitive ... outstanding’ portrayal of Enlightenment-era fascination with the East that is both ‘exquisitely acted and sung’ (The Guardian), and Ticciati leads the OAE through a restored, authentic rendition of the critical score with ‘lovely fizz’ and ‘poignant gravitas’. (The Independent). Recorded in true Surround Sound.