Opus Arte

THE WORLD'S FINEST OPERA
BALLET, THEATRE AND MUSIC

The Royal Opera House
Glyndebourne
Royal Shakespeare Company
Shakespeare's Globe
Massenet: Cendrillon
Massenet: Cendrillon

Danielle de Niese (Cendrillon); Agnes Zwierko (Madame de la Haltiére); Kate Lindsey (Le Prince Charmant); Nina Minasyan (La Fée); Eduarda Melo (Noémie); Julie Pasturaud (Dorothée); Lionel Lhote (Pandolfe)

With its combination of enchanting love story and broad, burlesque comedy, Cendrillon is one of the great operatic fairy tales – a Cinderella that looks back to Charles Perrault’s original story in all its richness and ambiguity. Massenet’s sensuous Belle Epoque fairy tale is gilded with lavish orchestral textures and glittering vocal writing, drawing on everything from baroque dances to Wagner-inspired chromaticism to bring its story to colourful life, conjuring a world of infinite musical and emotional variety.

DVD

Genre: Opera
Release Date: 01/06/2020
Sound Formats: Dolby Digital Stereo & DTS Digital Surround 5.1
Ratio: 16:9 Anamorphic
Subtitles: EN, FR, DE, JP, KO
Catalogue Number: OA1303D

BLU-RAY

Genre: Opera
Release Date: 01/06/2020
Sound Formats: LPCM 2.0 & DTS-HD Master Audio Surround
Ratio: 16:9
Subtitles: EN, FR, DE, JP, KO
Catalogue Number: OABD7267D
Conductor(s):
John Wilson
Orchestra(s):
The Glyndebourne Chorus; London Philharmonic Orchestra
Artist(s):
Danielle de Niese; Agnes Zwierko; Kate Lindsey; Nina Minasyan; Eduarda Melo; Julie Pasturaud; Lionel Lhote; The Glyndebourne Chorus; London Philharmonic Orchestra; John Wilson
"De Niese and Lindsey match each other perfectly. As Cinderella’s Fairy Godmother, Armenian soprano Nina Minasyan delivers dozens of high notes with elfin expertise.

Agnes Zwierko enacts Cinderella’s selfish stepmother with a fine sense of parody, though she’s a bit flat vocally, while Lionel Lhote is impeccable as Cinderella’s ineffectual father, Pandolfe.

There’s top-quality playing from the London Philharmonic Orchestra in the pit, while conductor John Wilson makes an endless delight of the enchanting candyfloss score; and there’s enough magic and fairy dust in the show’s visuals and its overall execution to keep the children in us all happy ever after." (The Stage)

Danielle de Niese (Cendrillon); Agnes Zwierko (Madame de la Haltiére); Kate Lindsey (Le Prince Charmant); Nina Minasyan (La Fée); Eduarda Melo (Noémie); Julie Pasturaud (Dorothée); Lionel Lhote (Pandolfe)

With its combination of enchanting love story and broad, burlesque comedy, Cendrillon is one of the great operatic fairy tales – a Cinderella that looks back to Charles Perrault’s original story in all its richness and ambiguity. Massenet’s sensuous Belle Epoque fairy tale is gilded with lavish orchestral textures and glittering vocal writing, drawing on everything from baroque dances to Wagner-inspired chromaticism to bring its story to colourful life, conjuring a world of infinite musical and emotional variety.

DVD

Genre: Opera
Release Date: 01/06/2020
Sound Formats: Dolby Digital Stereo & DTS Digital Surround 5.1
Ratio: 16:9 Anamorphic
Subtitles: EN, FR, DE, JP, KO
Catalogue Number: OA1303D

BLU-RAY

Genre: Opera
Release Date: 01/06/2020
Sound Formats: LPCM 2.0 & DTS-HD Master Audio Surround
Ratio: 16:9
Subtitles: EN, FR, DE, JP, KO
Catalogue Number: OABD7267D

Conductor(s):
John Wilson
Orchestra(s):
The Glyndebourne Chorus; London Philharmonic Orchestra
Artist(s):
Danielle de Niese; Agnes Zwierko; Kate Lindsey; Nina Minasyan; Eduarda Melo; Julie Pasturaud; Lionel Lhote; The Glyndebourne Chorus; London Philharmonic Orchestra; John Wilson

"De Niese and Lindsey match each other perfectly. As Cinderella’s Fairy Godmother, Armenian soprano Nina Minasyan delivers dozens of high notes with elfin expertise.

Agnes Zwierko enacts Cinderella’s selfish stepmother with a fine sense of parody, though she’s a bit flat vocally, while Lionel Lhote is impeccable as Cinderella’s ineffectual father, Pandolfe.

There’s top-quality playing from the London Philharmonic Orchestra in the pit, while conductor John Wilson makes an endless delight of the enchanting candyfloss score; and there’s enough magic and fairy dust in the show’s visuals and its overall execution to keep the children in us all happy ever after." (The Stage)